Category Archives: calls to publish

CFP: The New Soundtrack (Edinburgh University Press)

CFP: The New Soundtrack (Edinburgh University Press) The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Volume 6 Issue 1 will be published in March 2016. It features: Sound, … Continue reading

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Women in Sound/Women on Sound Symposium, Lancaster Institute of Contemporary Art November 13th 2015

A day long symposium that explores the role of women in the various disciplines of sound at Lancaster Institute of Contemporary Art, Lancaster University. November 13th 2015 10am-7pm. This symposium explores the practice, influence and prominence of women in sound. … Continue reading

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CFP: Horror Studies: Sonic Horror (deadline 31/01/ 16)

CFP: Horror Studies: Sonic Horror (Deadline January 31, 2016) “Shh—was that a voice?” Sound is arguably one of the most fear-provoking aspects of horror. Ghost stories and horror films employ sonic tropes such as creaking floor boards, sudden loud thumps, … Continue reading

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Call for Papers Feminist Media Histories – Women and Soundwork

CALL FOR PAPERS Feminist Media Histories – Women and Soundwork Guest Editors: Kate Lacey, University of Sussex Michele Hilmes, University of Wisconsin-Madison The term “soundwork” is useful to designate media forms that are primarily aural, employing the three basic elements … Continue reading

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Sound Studies: An Interdisciplinary Journal

Sound Studies: An Interdisciplinary Journal Editors Michael Bull, Professor of Sound Studies, University of Sussex, UK Veit Erlmann, Professor of Ethnomusicology and Anthropology, University of Texas at Austin, USA Call for Papers Sound Studies: An Interdisciplinary Journal will be an … Continue reading

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The New Soundtrack, call for publications

http://www.euppublishing.com/doi/story/10.3366/news.2013.09.11.187 The New Soundtrack Special Issue: Perspectives on Sound Design Call for Papers One hundred years ago futurist artist Luigi Russolo invented mechanical synthesisers, called Intonarumori, capable of producing and controlling noise-sounds. This, together with the emergence of recording technology, … Continue reading

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